Sources

Works Cited
 Gadberry, Glen W.. Theatre in the Third Reich, the prewar years: essays on theatre in Nazi Germany. Westport, Conn.: Greenwood Press, 1995.  Cited in Theatre in Nazi Germany
Hostetter, Elisabeth Schulz. The Berlin State Theater under the Nazi regime: a study of the administration, key productions, and critical responses from 1933-1944. Lewiston, N.Y.: Edwin Mellen Press, 2004. Cited in Hamlet in Nazi Germany.
Knight, A. H. J.. ""Der Bestrafte Brudermord" and "Hamlet," Act V."The Modern Language Review 31.3 (1936): 385-391. Cited in Fratricide Revenged: The German Hamlet.
London, John. Theatre under the Nazis . Manchester: Manchester University Press ;, 2000. Cited in Theatre in Nazi Germany.
Pearson, Lu Emily. Elizabethans at home . Stanford, Calif.: Stanford University Press, 1957. Cited in An Apology for Richard.
Roberts, Jeanne Addison. "Horses and Hermaphrodites: Metamorphosis in The Taming of the Shrew." Shakespeare Quarterly 34.2 (1983): 159-171. Cited in Taming of the Shrew and Shakespeare' Comedies.
Shakespeare, William, Raimund Borgmeier, and Barbara Nalenz. King Lear = König Lear : Englisch-Deutsch. Stuttgart: Philipp Reclam.  Cited in King Lear / König Lear
Symington, Rodney. The Nazi appropriation of Shakespeare: cultural politics in the Third Reich. Lewiston, N.Y.: Edwin Mellen Press, 2005.  Cited in Hamlet in Nazi Germany.